Updates

Registering a Trademark with Products and Services

When we register a trademark, we register it in connection with specific products and services. Every product and service fits into a class or classes and these classes are maintained by the Trademark Office. Every trademark application and registration must identify the products and services as well as the class(es) that the trademark is used in connection with.

If you have any questions or needs around registering a trademark, don't hesitate to reach out via email at: info@creativelawnetwork.com or by giving us a call at: (720) 924-6529

Dave Ratner
Watch Dave's Licensing 101 Presentation

Looking to learn more about leveraging intellectual property? Dive into licensing 101 right from your couch with Dave's recent presentation from Denver Startup Week.

This video will guide you through the basics of a licensing agreement, explain the difference between various licensing concepts and terms, and offer tips to protect and optimize your intellectual property in the marketplace.

Watch here.

Dave Ratner
Learn Six Secrets for Selling Music Royalties

Megastars like Bruce Springsteen and Bob Dylan have recently made waves with nine-figure catalog acquisitions. But the vast majority of musicians still don’t have a straightforward way to turn their creative efforts into financial assets. This session will outline how to navigate copyright law and the music industry to help your clients make informed decisions about how to best leverage their music catalogs.

Our Dave Ratner will be moderating a panel for The Colorado Bar Association on Thursday (9/22) from noon-1p. The panel will feature Gary Young (CEO) and Rob Bernhard (Corporate Counsel) from Royalty Exchange, a Denver-based marketplace for buying and selling music royalties. Since 2015, Royalty Exchange has facilitated more than 1,500 transactions totaling over $120 million in royalty deals for creatives.

Sign up to attend: Six Secrets Session

Dave Ratner
Join our Workshop at Denver Startup Week

Leveraging Your Intellectual Property: Intro to Licensing

Exclusive vs. non-exclusive? In perpetuity vs. time-limited? Worldwide? Royalties? Licensing is one of the primary ways creative entrepreneurs can leverage and monetize their content or products. This Denver Startup Week workshop, led by our Dave Ratner, will guide participants through the basics of a licensing agreement. It will explain the difference between various licensing concepts and terms, as well as tips to protect and optimize your intellectual property in the marketplace.

Register here to join us on Monday, September 19th!

Dave Ratner
Songwriters Get Paid More – Mechanical Royalty Rate Increase

An increase in the mechanical royalty rate has been proposed. Major record label members of the Recording Industry Association of America, members of the National Music Publishers Association and the Nashville Songwriters Association International reached an agreement on the increase and presented a motion to the Copyright Royalty Board. The proposals increases mechanical royalties related to physical products, downloads, ringtones, and music bundles. A mechanical royalty is a royalty earned through the mechanical reproduction of a copyrighted musical work.

The proposed change will be an increase from 9.1 cents per track to 12 cents per track, an increase of 32%! This would be the first major increase in mechanical royalties since 2008. If approved by the Copyright Royalty Board, this change will go into effect in 2023 and will run through 2027. The rate increase will also automatically index to the consumer price index, meaning that the rate could be adjusted each year at the same rate as inflation. The rate increase would mark a big win for songwriters and publishers who have long argued that creators are not compensated fairly for their contributions to a song or recorded work. This comes at a great time in the music industry as physical sales of vinyl and CDs are making a comeback and have been steadily increasing over the last few years.

So what’s next? The Copyright Royalty Board, which is a three member panel of copyright royalty judges who determine rates and terms for copyright statutory licenses and royalties, will review the proposal and approve or deny the increase. Stay tuned! If you have any questions about how this may impact you, or anything else about music or copyrights, please reach out to us at Creative Law Network!

Dave Ratner
Two Copyrights in Music

Did you know that every song generally includes two copyrights? One is the composition, which are words and music, also known as the publishing rights. The other copyright is the master, which is the recording of the composition and is also called the sound recording.

Dave Ratner
Copyright Claims Board is Open For Business!

The long-awaited Copyright Claims Board is open for business! At the beginning of 2021, the Copyright Alternative in Small-Claims Enforcement Act (“CASE Act”) was signed into law, signaling what could be considered a great aid for individual creators and small businesses: the Copyright Claims Board. So what is the CASE Act, what is the Copyright Claims Board, and how can this aid individual creators and small businesses in the protection of their copyrights? 

While copyright has always been an extremely important and valuable tool for the protection of the intellectual property rights in the creative works, the rights have often been difficult to enforce. Because federal courts have exclusive jurisdiction over copyrights, and federal litigation can be prohibitively expensive, many copyright owners cannot afford to defend their rights in court when someone infringes their work. With federal litigation rarely being an option for copyright owners, countless infringements go unchallenged, leaving creators with valuable rights, but no real remedies. The CASE Act looks to bridge this gap and provide remedies for smaller claims without the need of expensive litigation.

The CASE Act creates a three-judge tribunal called the Copyright Claims Board within the United States Copyright Office to handle small copyright claims. The Copyright Claims Board can hear three types of claims by copyright owners and copyright users, including:

  • Infringement claims brought by creators against infringers;

  • Requests by copyright users for a declaration of non-infringement stating that their activity does not infringe a copyright owner’s exclusive rights; and

  • Challenges brought by copyright users who have received a Digital Millennium Copyright Act (DMCA) takedown notice that they believe contains some form of misrepresentation relating to the alleged infringing activity.

The CASE Act is designed for small claims. It limits statutory damages to $15,000 per claim and no more than $30,000 in total damages. The exact fee to file a claim under the CASE Act will vary based on Copyright Office regulations, but will be less than the cost of federal litigation. Claims under the CASE Act are entirely optional. Any creator may opt to file under the CASE Act or pursue federal litigation to protect their rights. Further, if a party does not want to defend their rights in front of the tribunal, they may opt out. The CASE Act will create a streamlined process to allow creators and small businesses the opportunity to uphold and protect their copyrights without the burdensome time and costs of federal litigation. This provides a new and powerful tool for creators and will help support the copyright system as a whole.

The Copyright Claims Board is, as of June 16, 2022, now open to start hearing copyright disputes. eCCB, the CCB’s electronic case management and filing system, is now available at https://dockets.ccb.gov/#about. For more information on the CASE ACT, filing a claim with the Copyright Claims Board, what happens after one is filed, and responding to or opting out of a claim please don’t hesitate to reach out to us at the Creative Law Network!

Dave Ratner